Soprano Diana Damrau has been performing on the world’s leading opera stages for two decades. Her vast repertoire spans both lyric soprano and coloratura roles including the title roles in Lucia di Lammermoor (La Scala, Bavarian State Opera, Metropolitan Opera, Royal Opera House), Manon (Vienna State Opera, Metropolitan Opera) and La traviata (La Scala, Metropolitan Opera, Royal Opera House, Opéra national de Paris and Bavarian State Opera) as well as Queen of the Night in Die Zauberflöte (Metropolitan Opera, Salzburg Festival, Vienna State Opera, Royal Opera House).
Invested as a Kammersängerin of the Bavarian State Opera (2007) and holder of the Bavarian Maximilian Order for Science and Art (2010), Diana Damrau has forged close links with the Bayerische Staatsoper in Munich where she has been seen in new productions of Lucia di Lammermoor, Les contes d’Hoffmann (the four heroines), Ariadne auf Naxos (Zerbinetta), Die schweigsame Frau (Aminta), Die Entführung aus dem Serail (Konstanze) and Rigoletto (Gilda). Other high profile appearances have included La Traviata, Der Rosenkavalier (Sophie) and Die Zauberflöte (Queen of the Night).
The Metropolitan Opera has been a house in which the soprano has performed her signature roles, been broadcast in HD to cinemas globally and made seven role debuts since her own debut there as Zerbinetta in 2005. Highlights have included new productions of Rigoletto, Il barbiere di Siviglia (Rosina), Le comte Ory (Adèle) and Les pêcheurs des perles (Leïla). Other engagements have included the title roles in Lucia di Lammermoor, La traviata, Manon, La sonnambula and La fille du régiment. She was also the first singer in Metropolitan Opera history to perform the roles of Pamina and Queen of the Night in different performances of the same run of Mozart’s Die Zauberflöte.
Diana Damrau has twice participated in the annual inaugural performance at La Scala; in 2004 in the title role of Salieri’s Europa riconosciuta at the house’s grand reopening and in 2013 as the title role in a new production of La traviata to commemorate Verdi’s 200th anniversary. Damrau has also appeared there as Lucia as part of Milan’s Expo. In 2005 she gave her role debut as Susanna in a new production of Le nozze di Figaro and returns in 2016 in another new production of the piece, but on this occasion as La contessa.
The soprano has also performed contemporary works for the opera stage in roles written especially for her, most notably as the title role in Iain Bell’s operatic adaptation of Hogarth’s A Harlot’s Progress (Theater an der Wien – 2013) and as Drunken Woman/Gym Instructress in Lorin Maazel’s 1984 (Royal Opera House 2005).
Diana Damrau has established herself as one of today’s most sought-after interpreters of song, regularly performing at such venues as Wigmore Hall, Carnegie Hall, Berlin’s Philharmonie and the Salzburg Festival. She enjoys close artistic partnerships with pianists Helmut Deutsch and Craig Rutenberg and frequently performs in recital with harpist Xavier de Maistre. The latter collaboration can be heard in the CD release Nuit d’étoiles and a DVD capturing their performance at the Baden-Baden Festival.
Recording exclusively for EMI/Virgin Classics (now Erato), Diana Damrau made her recording debut with Arie di Bravura – a collection of Mozart and Salieri arias. Subsequent solo releases have included Donna – a recording of Mozart arias, COLORaturaS – a selection of coloratura arias from the romantic period, Poesie – orchestral songs by Richard Strauss (awarded the ECHO Klassik prize in 2011) and songs by Franz Liszt. Her album Forever, featuring highlights from operetta, film and musicals was awarded the ECHO Klassik Prize in 2014 and was followed by the release of the Belcanto-themed Fiamma del Belcanto. Damrau also features on various complete opera recordings on both CD and DVD.
2016/17 season highlights include Damrau’s role debuts as La contessa in a new production of Le nozze di Figaro at La Scala and Juliette in the Metropolitan Opera’s new production of Romeo et Juliette, where she will also perform the role of Elvira in I puritani. Later in the season she will once again assume the four heroine roles of Les contes d’Hoffmann at Los Angeles Opera. On the concert stage, the soprano will give her debut performances of Strauss’ Four Last Songs in a European concert tour with Kirill Petrenko and the Bayerische Staatsorchester and will give an opera gala -tour of South America with the french bass Nicolas Testé which will be followed by another tour in Europe of Meyerbeer arias, coinciding with the forthcoming release of her solo Meyerbeer recording.
Further ahead, plans include the title role in a new production of La traviata at the Metropolitan Opera and her role debuts as Marguérite in Faust and the title role in Maria Stuarda.