Soprano Diana Damrau assumes the crowns of three different Tudor queens, the central characters in operas by Donizetti: Anne Boleyn (Anna Bolena), Mary, Queen of Scots (Maria Stuarda), and Elizabeth I (Roberto Devereux). With Antonio Pappano and the Orchestra and Chorus of Rome’s Accademia Nazionale di Santa Cecilia, she performs the substantial and climactic final scene of each work. When Damrau sang Maria Stuarda at the Zurich Opera, the Neue Zürcher Zeitung wrote: “She commands a voice that seems to have no limits. Her coloratura is stunning, her vocal range impressive, and her dynamic shadings are breath-taking. Damrau is in a class of her own.”
This exciting new album comes out on October 2. Order your copy here!
“For me, Strauss is one of the greatest composers,” Diana Damrau has said. “The way he handles the soprano voice is a joy. And to be able to sing his music with my voice feels like coming home.” The centrepiece of this album of Strauss songs is the sublime Vier letzte Lieder, in which Damrau – born and trained in Bavaria – joins forces with the Bavarian Radio Symphony Orchestra and its long-standing Chief Conductor Mariss Jansons, in what was to become his final recording. Her partner in a tempting and diverse selection of songs with piano is Helmut Deutsch. “Not only is Strauss’s music gorgeous,” says Damrau, “there’s the way he combines words and notes – and the psychology.”
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Mar 7, 2021
Diana Damrau takes on a short recital tour around Europe at the end of March. Initially, this tour also included performances in Bordeaux and New York, but unfortunately these have been cancelled due to COVID-19.
Pianist Helmut Deutsch, who has accompanied Diana Damrau for 15 years, will be by her side once more. The program features Lieder by Franz Schubert, Richard Strauss and others, as well as Spanish songs.
Feb 15, 2021
Edit: Due to the current COVID-19 regulations, Ms. Damrau is unable to travel to Berlin. Soprano Camilla Nylund will replace her.
The program stars with three contrasting musical worlds, “The Golden Twenties”: Hindemith’s Neues vom Tage, Busoni’s Tanz-Walzer for orchestra and Johann Strauss jr.’s Künstlerleben, after which Ms. Damrau will sing Lieder by Richard Strauss: Das Rosenband, Ständchen, Freundliche Vision, Wiegenlied, Allerseelen, Zueignung and Morgen. To end the evening, the Rundfunkchor Berlin will sing Richard Strauss’ Die Tageszeiten.
Jan 5, 2021
Update: These performances have been cancelled due to COVID-19.
Diana Damrau starts the year making her greatly anticipated debut in Richard Strauss’ Capriccio, an opera revolving around debate that raged during the Enlightenment: what matters more, the music or the text? Who will succeed in winning the heart of the Countess Madeleine – Olivier, a poet, or Flamand, a musician?
Ms. Damrau is joined by a stellar cast, including Wolfgang Koch, Pavol Breslik, Audun Iversen, Günther Groissböck, Ekaterina Gubanova, Graham Clark, Sydney Mancasola, Xabier Anduaga and Luke Stoker. The performances, if no cancellations due to COVID-19 occur, will take place from January 26 until the February 21.
“[...]Damrau’s vocal delicacy, [is] able to open a phrase with a delicate crescendo, while often ending them with soft holds as if she were embracing the syllables to the fullest.”
Soprano Diana Damrau has been performing on the world’s leading opera and concert stages for two decades. Her vast repertoire spans both lyric soprano and coloratura roles including the title roles in Lucia di Lammermoor (La Scala, Bavarian State Opera, Metropolitan Opera, Royal Opera House), Manon (Vienna State Opera, Metropolitan Opera) and La Traviata (La Scala, Metropolitan Opera, Royal Opera House, Opéra national de Paris and Bavarian State Opera) as well as Queen of the Night in Die Zauberflöte (Metropolitan Opera, Salzburg Festival, Vienna State Opera, Royal Opera House, Bavarian State Opera).
Invested as Kammersängerin of the Bavarian State Opera (2007) and holder of the Bavarian Maximilian Order for Science and Art (2010), Diana Damrau has forged close links with the Bayerische Staatsoper in Munich where she has been seen in new productions of Lucia di Lammermoor, Les contes d’Hoffmann (the four heroines), Ariadne on Naxos (Zerbinetta), The Silent Woman (Aminta), Die Zauberflöte (Queen of the Night) and Rigoletto (Gilda). Other high profile appearances have included La Traviata (Violetta), Der Rosenkavalier (Sophie), Die Entführung aus dem Serail (Konstanze) as well as Le Nozze di Figaro (Susanna and Contessa d’Almaviva).